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D-Command Guide54
Focusing Plug-ins on D-Command
A plug-in is focused when its controls are mapped to the knobs,
switches or faders on D-Command. Its parameters can then be
edited and automated from the control surface. D-Command
lets you focus a plug-in with or without displaying its window
on-screen.
You can focus plug-ins in multiple locations on D-Command:
in the Dynamics section, in the EQ section, and in the Custom
Faders section.
When a plug-in is focused on D-Command and displayed
on-screen in Pro Tools, a colored outline appears in the
plug-in window header.
To focus a plug-in in the Dynamics or EQ section:
1 Focus the plug-in’s track in the Focus Channel section by
pressing the track’s Select switch. The first dynamics and EQ
plug-ins on that track are automatically focused in the corre-
sponding D-Command section.
2 Press the Cycle switch in the Dynamics or EQ section to fo-
cus successive dynamics or EQ plug-ins on that channel. (The
No Insert option is always available.)
To focus a plug-in in the Custom Faders section:
1 Focus the plug-in’s track in the Focus Channel section by
pressing the track’s Select switch. The name of the first plug-in
that is not a dynamics or EQ plug-in appears in the Focus
Channel display.
2 Press the Plug-in switch in the Custom Faders section. The
switch lights to indicate the mode is active. The plug-in name
and channel format appear in the Custom Fader channel dis-
plays, and the plug-in’s parameters appear in the Custom
Fader channel encoders.
3 In the Custom Faders section, press the Bank/Cycle switch
to cycle through the plug-ins on the focused channel. (The No
Insert option is always available.)
The plug-in whose name appears in the Custom Faders display
is focused in Custom Fader mode. See “Plug-in Mode” on
page 108.
Opening Plug-in Windows On-Screen
There are several ways to open plug-in windows on-screen
from D-Command.
To open a plug-in window from any channel on D-Command:
Hold Start (Windows) or Control (Mac) and press the en-
coder Select switch for the plug-in.
To open a plug-in window on a focused track:
1 Focus a track in the Focus Channel section by pressing its Se-
lect switch.
2 In the Custom Faders section, press the Bank/Cycle switch
to cycle through the plug-ins on the focused track. Plug-in
names are shown in the Custom Faders display.
3 In the Custom Faders section, press the Win switch to open
the plug-in whose name is displayed.
To open a focused dynamics or EQ plug-in window:
Press the Window switch in the Dynamics or EQ section of
D-Command.
To open or close all focused plug-in windows:
Press the Plug-in switch in the Window Management sec-
tion.
To close all open plug-in windows:
Hold Alt (Windows) or Option (Mac) and press the Plug-in
switch in the Window Management section. This closes all
real-time and AudioSuite plug-in windows.
To set D-Command to automatically open plug-in windows:
1 Press the Operations switch in the D-Command Soft Keys
section twice.
2 Press the Soft Key that corresponds to “ChanWn” until its
value is “Yes.”
With this preference set to “Yes,” when you insert a new
plug-in, press an encoder Select switch to edit a plug-in, or cy-
cle through plug-ins on the focused track, the plug-in window
will automatically open on-screen.
When plug-in names are shown on the encoder displays, a
plug-in can be quickly brought into Custom Fader mode by
pressing its associated encoder Select switch.
- D-Command 1
- Contents 5
- D-Command Guidevi 6
- Part I: Introduction 7
- D-Command Features 9
- D-Command System Components 9
- System Expansion Options 9
- Operational Requirements 10
- Connection Requirements 10
- System Requirements 10
- Mechanical Specifications 11
- (141.2 cm) 12
- 29.25 in 12
- (74.3 cm) 12
- Chapter 2: D-Command Overview 13
- D-Command Guide8 14
- Main Unit Back Panel 15
- D-Command Fader Module 16
- D-Command XMON Interface 17
- XMON Back Panel 18
- Part II: Installation 19
- Assembling an Expanded System 21
- Attaching the Units 22
- Moving the Spacer Plate 23
- D-Command Guide18 24
- D-Command Connections 25
- Footswitch Connections 26
- Audio Connections 27
- Example XMON Wiring Diagram 30
- Software Configuration 31
- Setting D-Command Preferences 32
- Encoder Preferences 34
- Display Preferences 34
- Meter Preferences 35
- System Calibration 36
- Part III: Reference 37
- Channel Strips 39
- D-Command Guide34 40
- Channel Strip Mode Controls 41
- Pan Switch 42
- Mic Pre Mode 42
- Bypass/Spill Switch 42
- Sends Switch 43
- Input Monitor Mode Switch 43
- Record Enable Switch 43
- D-Command Guide38 44
- Fader Section 45
- Global Controls Section 46
- Flip Switches 47
- Automation Write Controls 47
- Automation Enable Controls 48
- Switch Information Controls 49
- Global Modifier Controls 49
- Display Mode Switch 50
- Groups Mode” on page 105 52
- Automation Mode Controls 53
- Miscellaneous Controls 54
- Assign Sends Switch 55
- Assign Inserts Switch 55
- Make Inactive Controls 56
- Plug-in Automation Controls 57
- D-Command Guide52 58
- Chapter 7: Plug-in Controls 59
- D-Command Guide54 60
- Targeting Plug-ins 61
- Enabling Plug-in Automation 62
- Dynamics Section 63
- Knee/Hysteresis/Q and 64
- Gain/Hold/Input Control 65
- Threshold/Output Control 65
- Dynamics Display 66
- Lock Switch 66
- Save and Save As Switches 66
- Channel Select Switches 66
- Master Link Switch 67
- D-Command Guide62 68
- Gain Reduction meter 69
- Output meter 69
- Clip Indicator 69
- EQ Section 70
- D-Command Guide66 72
- EQ Channel Select Controls 73
- EQ Edit and Display Controls 75
- D-Command Guide70 76
- Transport Section 77
- Scrub/Shuttle Controls 78
- Master Record Enable Switch 79
- Transport Mode Switches 80
- Audition Switches 80
- Locate Switches 81
- Zoom/Navigate Section 82
- Nudge/Bank Section 82
- Window Management Section 83
- Session Management Section 84
- Soft Keys Section 85
- Management Controls 86
- Edit Controls 87
- Memory/MIDI Controls 88
- Console Preferences 89
- Automation Controls 90
- Actions Switch 91
- Modes Switch 92
- Trac k Size Up 93
- Track Size Down 93
- D-Command Guide88 94
- Monitor Section Controls 95
- Input Source Switches 96
- Sum Switch 96
- Output On/Off Switches 96
- Output Level Control 96
- Studio Controls 97
- Set Up Switch 98
- AFL and PFL Switches 99
- Setting AFL and PFL Levels 99
- Talkback/Listen System 100
- Talkback Controls 100
- Talkback Switch 100
- Listen Controls 101
- Monitor Output Mode Controls 101
- Mono Switch 102
- Dim Switch 102
- Mute Switch 102
- Channel Strip Meter displays 103
- Time Scale display 103
- Talkback Microphone 103
- Output Meter displays 103
- D-Command Guide98 104
- Chapter 11: Operating Modes 105
- Plug-in Outputs 106
- Selecting a Track 107
- Focusing a Track 107
- Focusing a Plug-in 108
- Automation Safe Mode 108
- Bypassing Plug-ins 108
- Custom Fader Modes 110
- Custom Fader Preferences 111
- Custom Fader Controls 111
- Custom Groups Mode 111
- Mix/Edit Groups Mode 112
- Do one of the following: 113
- Press the Escape switch 113
- Expanded Plug-in View 115
- Custom Fader Flip Mode 116
- Custom Fader Map Modes 116
- Working with Automation 117
- Previewing Automation 118
- Joining Automation Values 120
- Appendix A: Utility Mode 121
- Exiting Utility Mode 122
- D-Command System Info Page 122
- D-Command Name Page 122
- D-Command Test Pages 123
- Switch and LED Test Page 124
- Display Test Page 124
- Fader Test Page 125
- Defaults 126
- D-Command Preferences 126
- Display Contrast Page 127
- Sleep Mode Settings Page 127
- D-Command Guide122 128
- Cue Inputs 129
- Cue Outputs 129
- Surround Inputs 130
- Stereo Inputs 130
- Main Speaker Outputs 130
- 15-Pin Connector Pinouts 131
- D-Command Guide126 132
- Index 127 133
- D-Command Guide128 134
- Index 129 135
- D-Command Guide130 136
- Index 131 137
- D-Command Guide132 138
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