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DigiRack Plug-Ins Guide48
High-Pass/Low Notch
The High-Pass/Notch band is switchable be-
tween High-Pass Filter and Notch EQ functions.
By default, this band is set to High-Pass Filter.
High-Pass Filter Attenuates all frequencies below
the Frequency setting at the selected slope while
letting all frequencies above pass through.
Low-Notch EQ Attenuates a narrow band of fre-
quencies centered around the Frequency set-
ting. The width of the attenuated band is deter-
mined by the Q setting.
The High Pass and Low Notch controls and their
corresponding graph elements are displayed on-
screen in gray.
Low-Pass/High Notch
The Low-Pass/Notch band is switchable be-
tween Low-Pass Filter and Notch EQ functions.
By default, this band is set to Low-Pass Filter.
Low-Pass Filter Attenuates all frequencies above
the Frequency setting at the selected slope while
letting all frequencies below pass through.
High-Notch EQ Attenuates a narrow band of fre-
quencies centered around the Frequency set-
ting. The width of the attenuated band is deter-
mined by the Q setting.
The Low Pass and High Notch controls and their
corresponding graph elements are displayed on-
screen in gray.
High-Pass filter (left) and Low Notch EQ (right)
High-Pass Filter and Low Notch EQ control values
Control Value
Frequency Range 20 Hz to 8 kHz
Frequency Default 20 Hz
HPF Slope Values 6, 12, 18, or 24 dB/oct
Low Notch Q Range 0.1 to 10.0
Low Notch Q Default 1.0
High-Pass Filter
button
Frequency
control
Slope
control
Frequency
control
Q
control
Band
Enable
button
Low Notch EQ
button
Band
Enable
button
Low-Pass filter (left) and High Notch EQ (right)
Low-Pass Filter and High Notch EQ control values
Control Value
Frequency Range 120 Hz to 20 kHz
Frequency Default 20 kHz
LPF Slope Values 6, 12, 18, or 24 dB/oct
High Notch Q Range 0.1 to 10.0
High Notch Q Default 1.0
Low-Pass Filter
button
Frequency
control
Slope
control
Frequency
control
Q
control
Band
Enable
button
High Notch EQ
button
Band
Enable
button
- Pro Tools 1
- Copyright 2
- Chapter 1. Introduction 3
- Chapter 2. Installation 3
- Chapter 7. Using Digi ReWire 5
- Introduction 7
- System Requirements 8
- Conventions Used in This 8
- About www.digidesign.com 9
- DigiRack Plug-Ins Guide 10
- Installation 11
- DigiRack Plug-Ins Guide6 12
- Processing Power 13
- Requirements of TDM and 13
- RTAS Plug-Ins 13
- Improving RTAS Plug-In 15
- Performance 15
- Delay in Digital Signal 16
- Processing 16
- Plug-Ins as Inserts 17
- Pre-Fader Operation 18
- Mono, Multi-Mono, and 18
- Multichannel Plug-Ins 18
- Organizing Plug-Ins 19
- Inserting Plug-Ins on Tracks 20
- Ins by Category enabled 21
- Removing a plug-in 21
- Making Plug-Ins Inactive 22
- Clip Indicators 23
- The Plug-In Window 23
- DigiRack Plug-Ins Guide18 24
- Opening Plug-In Windows 25
- Plug-In Window Controls 26
- Bypassing Plug-Ins 26
- Adjusting Plug-In Parameters 27
- Side-Chain Processing 28
- Tempo Sync 29
- Automating Plug-Ins 30
- Plug-In automation dialog 31
- Automation Enable window 31
- Using the Librarian 32
- Choosing a Destination for 33
- Settings 33
- Managing Settings 33
- Changing Settings with the 34
- Plug-In Settings Dialog 35
- Multiple Outputs for 36
- Instrument Plug-Ins 36
- Other Plug-Ins) on Auxiliary 36
- The AudioSuite Menu 37
- Recognizes and removes DC 38
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 41
- AudioSuite Processing 42
- Preferences 42
- 2 Click Processing 43
- 4 Click Done 43
- Using AudioSuite Plug-Ins 44
- Using AudioSuite Plug-Ins in 45
- DigiRack Plug-Ins Guide40 46
- EQ III Configurations 47
- EQ III Controls 48
- I/O Controls 49
- EQ Band Controls 50
- Band Gain Control 51
- Frequency Control 51
- Q Control 51
- Frequency Graph Display 52
- 1 Band EQ 52
- 7 Band EQ 53
- High-Pass/Low Notch 54
- Low-Pass/High Notch 54
- Low Shelf/Low Peak 55
- Low-Mid Peak 56
- Mid Peak 56
- High-Mid Peak 57
- High Shelf/High Peak 57
- 2–4 Band EQ 58
- High-Shelf EQ 60
- Low-Shelf EQ 60
- Low-Pass Filter 60
- Automating EQ III Controls 61
- Adjusting EQ 62
- Click Controls 63
- DigiRack Plug-Ins Guide58 64
- Click Options dialog 64
- Dither plug-in 64
- Noise Shaping 65
- POW-r Dither 66
- D-Verb Controls 67
- Clip Indicator 68
- Input Level 68
- Algorithm 68
- Dynamics II 69
- Using Compression Effectively 70
- Compressor Controls 70
- Limiter II 71
- Limiter Controls 72
- Gate Controls 73
- Expander/Gate II 74
- DeEsser plug-in 75
- Using De-essing Effectively 76
- DeEsser Controls 76
- Mod Delay II 77
- DigiRack Plug-Ins Guide72 78
- Dot modifierTriplet modifier 78
- Duration 78
- Signal Generator 79
- Signal Generator Controls 80
- Pitch Controls 81
- DigiRack Plug-Ins Guide76 82
- TimeAdjuster 83
- Delay Compensation 84
- When to Compensate for Delays 85
- Trim Controls 86
- DigiRack AudioSuite Plug-Ins 87
- Limiter II AudioSuite plug-in 89
- Gate II AudioSuite plug-in 89
- DeEsser AudioSuite plug-in 89
- DigiRack Plug-Ins Guide84 90
- Chorus plug-in 90
- Sum Inputs button 90
- Flanger 91
- Multi-Tap Delay 92
- Ping-Pong Delay 93
- Duplicate 94
- Normalize 95
- DigiRack Plug-Ins Guide90 96
- Gain plug-in 96
- Reverse plug-in 96
- Signal Generator plug-in 97
- DC Offset Removal plug-in 97
- Time Compression/ 98
- Expansion 98
- Pitch Shift 99
- DigiRack Plug-Ins Guide94 100
- DigiRack Plug-Ins Guide96 102
- Using Digi ReWire 103
- ReWire Requirements 104
- Using ReWire 105
- Automating ReWire 106
- Tempo and Meter Changes 106
- Looping Playback 106
- DSP Requirements 107
- Monitoring DSP Usage 111
- DigiRack Plug-Ins Guide106 112
- Delay 89 115
- DigiRack Plug-Ins Guide110 116
- Index 111 117
- DigiRack Plug-Ins Guide112 118
- Index 113 119
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