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Chapter 2: Working with Real-Time Plug-Ins 21
Creating Subfolders for Settings
To make it easier to find specific types of set-
tings, you can subdivide settings files by creat-
ing subfolders for them.
If you are using Reverb One, for example, you
may want to organize settings by room size. This
allows you to keep your library well organized
with hierarchical menus for settings.
To create a settings subfolder:
1 From the Settings pop-up menu, choose Save
Settings.
2 Click the New Folder button and type a name
for the subfolder.
3 Name the setting and click Save. The setting is
saved within the subfolder.
Librarian menu with subfolders for settings
- Digidesign 1
- Copyright 2
- Chapter 4. D-Fi 4
- Chapter 5. D-Verb 4
- Chapter 6. Focusrite D2 4
- Chapter 7. Focusrite D3 4
- Chapter 8. DINR 4
- Digidesign Plug-Ins Guide 6
- Getting Started With Plug-Ins 7
- Plug-In Formats 8
- Installing Plug-Ins 8
- Digidesign Registration 9
- Authorizing Plug-Ins 10
- Removing Expired Plug-Ins 10
- Allocating Additional Memory 11
- Conventions Used in This 12
- Processing Power 13
- Requirements of TDM and 13
- RTAS Plug-Ins 13
- Improving RTAS Plug-In 14
- Performance 14
- Delay in Digital Signal 15
- Processing 15
- Plug-Ins as Inserts 16
- Inserting Plug-Ins on Tracks 17
- The Plug-In Window 18
- Channel Selector 19
- Link Enable buttons 19
- Master Link button 19
- Digidesign Plug-Ins Guide14 20
- Editing Plug-In Parameters 21
- Using a Key Input for Side 22
- Chain Processing 22
- Automating Plug-Ins 23
- Using the Librarian 24
- The Settings Menu 25
- Choosing a Destination for 25
- Settings 25
- Managing Settings 26
- Mono Plug-ins 26
- Digidesign Plug-Ins Guide22 28
- The AudioSuite Window 29
- Plug-In Selector 30
- Selection Reference 30
- Use In Playlist Button 30
- File Mode Selector 31
- Process Mode Selector 31
- Digidesign Plug-Ins Guide26 32
- Multichannel Processing 33
- Undoing AudioSuite Processing 33
- Processed Audio 33
- Other AudioSuite Parameters 33
- The AudioSuite Processing 34
- Preferences Dialog 34
- Using AudioSuite Plug-Ins 35
- Using AudioSuite Plug-Ins in 36
- Recti-Fi 37
- Purposely Degrading Audio 38
- Chapter 4: D-Fi 33 39
- Input Trim 40
- Effect Type 40
- Effect Amount 40
- Effect Frequency 40
- Modulation Type 41
- Mod Amount and Mod Rate 41
- Chapter 4: D-Fi 37 43
- Alternating rectification 43
- Alt-Max rectification 43
- D-Fi Demo Session 44
- Lo-Fi Examples 45
- Recti-Fi Examples 46
- Chapter 4: D-Fi 41 47
- Digidesign Plug-Ins Guide42 48
- About Reverb 49
- D-Verb Parameters 50
- Input Level 51
- Algorithm 51
- Diffusion 51
- Customizing a Reverb 52
- Selecting Tracks for D-Verb 53
- AudioSuite Processing 53
- Digidesign Plug-Ins Guide48 54
- Focusrite D2 55
- D2 Parameters 56
- EQ Filter Controls 57
- Low-Mid Peak Filter 58
- High-Mid Peak Filter 58
- High-Shelf Filter 58
- Low-Pass Filter 58
- Computer Keyboard 59
- Using D2 in Stereo 60
- Focusrite D3 61
- The D3 Compressor 62
- The D3 Limiter 62
- D3 Parameters 63
- D3 Compressor Controls 64
- Threshold 65
- Auto Release 65
- D3 Limiter Controls 66
- Broadband Noise Reduction 67
- Creating a Noise Signature 68
- The Contour Line 68
- Reduction 68
- Parameters 69
- High-Shelf EQ 70
- Chapter 8: DINR 65 71
- Control-Option-Right Arrow 72
- Using Broadband Noise 73
- Digidesign Plug-Ins Guide68 74
- Editing the Contour Line 75
- Using BNR AudioSuite 76
- Chapter 8: DINR 71 77
- BNR AudioSuite 77
- Hum Removal 78
- Chapter 8: DINR 73 79
- Center Frequency 79
- Using Hum Removal 80
- RTAS version instead 81
- About Peak Limiting 82
- Maxim Parameters 83
- Attenuation 84
- Link Button 85
- Noise Shaping 85
- Bit Resolution 85
- Using Maxim 86
- Bruno and Reso 87
- DSP Requirements 88
- Inserting Bruno/Reso onto an 88
- Audio Track 88
- Playing Bruno/Reso 88
- Using MIDI 89
- Using MIDI Playback 89
- Bruno Parameters 90
- On-Screen Keyboard 91
- Timbre Parameters 91
- Timbrometer 92
- Amplitude Parameters 92
- ADSR Envelope Generator 93
- Voice Parameters 95
- Reso Parameters 96
- Resonance Velocity 97
- Damping Amount 97
- Damping Velocity 97
- Harmonics 97
- Gain Velocity 99
- Pitch Parameters 100
- LPF/Voice Parameters 101
- Online Help 102
- Reverb One 103
- A Reverb Overview 104
- Reverb One Controls 105
- Master Mix Controls 106
- Dynamics Controls 106
- Chorus Controls 107
- Reverb Controls 107
- Early Reflections Controls 108
- Simulating Early Reflections 109
- Reverb Graphs 110
- Other Controls 111
- Input Level Meters 112
- SoundReplacer 113
- SoundReplacer Parameters 114
- Trigger Threshold 115
- Load/Unload Sound 115
- The Zoomer 116
- Crossfade 116
- Peak Align 116
- Using SoundReplacer 117
- Getting Optimum Results With 118
- Mapping The Same Sample Into 119
- Multiple Amplitude Zones 119
- Using the Audio Files Folder 120
- Replacement Files 120
- SoundReplacer Demo Session 121
- Example 3 122
- Example 4 122
- Example 5 122
- Chapter 12: SoundReplacer 117 123
- Digidesign Plug-Ins Guide118 124
- SurroundScope 125
- SurroundScope Parameters 126
- Lissajous Meter 127
- Phase Meter 127
- Numerics 135
- Digidesign Plug-Ins Guide130 136
- Index 131 137
- Digidesign Plug-Ins Guide132 138
- Index 133 139
- Digidesign Plug-Ins Guide134 140
- Index 135 141
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